CIM 2012 Program
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21/11/2012
Teatro Miela
21.00 Opening concert – Bodysnatchers/Ultracorpi organized by Cantierezero
ensemble cantierezero
Duo Novalis | Stefania Amisano & Claudio Cristani piano duo
Ivan Rabaglia | violin
Giorgio Klauer, Stefano Trevisi | electronicGiorgio Klauer (1976)
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Giorgio Klauer (1976)
Three Men in a Wormhole (2012)
for piano four hands, violin, self-sensing actuators and electronics
Agostino Di Scipio (1962)
chpn3.2 (2012)
variazioni di sensibilità al sé
for 3 performers
feedback network with piano, electroacoustic actuators and digital dignal processing
John Cage (1912-1992)
Two6 (1992)
for violin and piano
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Stefano Trevisi (1974)
Still again Sealed again (2012)
for piano (two performers), violin, self-sensing actuators and electronics
Fabio Nieder (1957)
Requiem für einen Namen (2010)
for piano four hands
Gerhard E. Winkler (1959)
Black Mirrors II (2012)
HerzStück
for piano four hands, self-sensing actuators and electronics
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With the friendly support of SKE Fonds – Austro Mechana, Österreichisches Kulturforum Mailand, ZKB – Zadružna kraška banka – Credito Cooperativo del Carso, “Trio di Trieste” International School of Chamber Music – United World College of the Adriatic, Servizio Concerti Cerneaz (Udine), Accademia “Ars Nova” (Trieste) and Civico Museo Teatrale “Carlo Schmidl” (Trieste).
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22/11/2012
Aula Magna Conservatorio “G. Tartini”
10.00 Conference introduction
Oral presentations (coordinator Federico Fontana, University of Udine)
Paper session 1 (chair Carlo Drioli, University of Udine)
10.15 keynote speaker: Claudio Allocchio (GARR). LOLA, from an idea to real time human interaction.
11.00 Federico Fontana. Interactive sound synthesis by the Lotka-Volterra population model.
11.30 Coffee break
Paper session 2 (chair Federico Fontana, University of Udine)
11.45 Stefano Baldan, Adriano Baratè, Goffredo Haus and Luca Andrea Ludovico. Fruizione evoluta via web di contenuti musicali e multimediali: il portale EMIPIU.
12.10 Federica Bressan. Un ambiente informatico per la gestione dei processi relativi alla conservazione attiva dei documenti sonori.
12.35 Tiziano Bole, Cristina Fedrigo. ALA – Un’iper-lavagna per il training ritmico.
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13.00 – 13.10 Poster flash presentation (coordinator Carlo Drioli, University of Udine)
- Massimo Grassi, Guillaume Lemaitre, Davide Rocchesso. Cinquant’anni di dislocazione temporale acustica.
- Daniele Salvati, Sergio Canazza. Cepstrum analysis and blind system identification for localization of pseudo-periodic sounds.
- Michele Geronazzo, Simone Spagnol, Davide Rocchesso, Federico Avanzini. Model-based customized binaural reproduction through headphones.
- Gianluca Dario, Riccardo Mazzetti, Lorenzo Jacopo Sciuca, Federico Fontana. EGLO – Un’applicazione per la sonificazione interattiva di tavoli di gioco per bambini.
- Elio Toppano, Roberto Ranon. Sincresi audio-visiva: una esperienza didattica.
13.10 Lunch break
13.10 – 15.00 Video-listening room* & Poster session**
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Afternoon
Paper session 3 (chair Pietro Polotti, Conservatory of Trieste)
15.00 keynote speaker: Walter Gerbino (University of Trieste). Cross-modal congruency, attention, and visual recognition.
15.40 Luca Roverelli, Nicolò Zereik. Movements classification on the Laban’s theory of effort time axis.
16.05 Cristina Fedrigo, Sara Radin. EGGS (Elementary Gestalts for Gesture Sonification) Risorse informatiche per l’educazione e didattica musicali.
16.30 – 17.30 Video-listening room* & Poster session**
17.30 Electroacoustic concert (coordinator Nicola Buso, Conservatory of Trieste)
music by:
Nathaniel Goossen No More Glaciers
Giuliano Anzani A-M
Francesco Bianco Astratto #1
Marco Dibèltulu Sguardo contemporaneo
Francesco Galante Liberare la Terra dalla Immobilità Fissata (quadro primo)
Francesco Garbo Nocicezione
Diego Garro Más Claro
Auditorium Casa della Musica
20.30 Live electronics concert (coordinator Nicola Buso, Conservatory of Trieste)
Ivan Penov | suond director
music by:
Fabián Pérez Tedesco Ecos
_________Fabiàn Perez Tedesco | percussions
_________Tiziano Bole | live electronics
Gianni Ballicu, Marcellino Garau, Marco Marinoni, Filippo Mereu, Sandro Mungianu, Roberto Zanata
___________________________________________ Non consumiamo Cage
João Pedro Oliveira Vox sum vitae
_________Marko Jugovic | percussions
_________Tiziano Bole | live electronics
Stefano Vinciarelli Rifrazioni di ecosistemi
Massimo Palermo ZAUM II
Maura Capuzzo Come arriva l’amore così ti si libera il naso, improvvisamente ed a caso
_________Maura Capuzzo | voice
_________Dario Khademi | live electronics
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Conservatorio “G. Tartini”
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* Video-listening room (coordinator Paolo Pachini, Conservatory of Trieste)
audiovisual works by:
- Lloyd Dunn 55505 pareidolia
- Silvia Lanzalone Albadoro
- Ivan Penov Entropy swing
- Jun Mizumachi, Yngvild Rolland Location 2: flashes of time
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23/11/2012
Aula Magna Conservatorio “G. Tartini”
Oral presentations
Paper session 4 (chair Andrea Valle, University of Turin)
9.30 keynote speaker: Miha Ciglar (IRZU Lubiana, SLO) Syntact – touch the sound.
10.10 Julian Scordato. Ariadne: un sistema per l’esecuzione musicale su tablet.
10.35 Stefano Piana, Antonio Camurri, Maurizio Mancini. The EyesWeb human movement analysis library.
11.00 Walter Cianciusi, Lorenzo Seno. Feed-Drum e Skin-Act: l’ultima frontiera dello strumento aumentato.
11.30 Coffee break
Paper session 5 (chair Federico Avanzini, University of Padua)
11.45 Nicola Scattolin, Serena Zanolla, Antonio Rodà, Sergio Canazza. SoundingARM rappresentazione acustica di una mappa spaziale.
12.10 Serena Zanolla, Giorgio Tempesta, Sergio Canazza, Lauro Snidaro. MEMORY SONORO realtà aumentata accessibile mediante audio direzionale.
12.35 David Meredith. Music analysis and Kolmogorov complexity.
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13.00 – 13.10 Poster flash presentation
- Andrea Valle. A sound programming strategy to survive to a complex multimedia setup.
- Carlo Drioli, Claudio Allocchio. LOLA: a low latency high quality a/v streaming system for networked performances and interaction.
- Leonardo Gabrielli, Stefano Squartini, Francesco Piazza. Towards a portable wireless platform for networked performance.
- Dario Sanfilippo. LIES (distance/incidence) 1.0: a human-machine interaction performance.
- Alessandro Fogar, Elio Corbolante. h.
- Alessandro Fiorin Damiani, Filippo Gecele, Alessandro De Nardi, Paolo Boscariol, Chiara Olcese, Luca Lorenzo Ferro, Filippo Genesini, Federico Petrei. Siloë.
13.10 Lunch break
13.10 – 14.45 Video-listening room* & Poster session**
Afternoon
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Paper session 6 (chair Stefano Bassanese, Conservatory of Turin)
15.10 Silvia Lanzalone. Clavecin electrique. Studio e realizzazione dell’opera.
15.35 Maria-Letizia Michielon. “Il divino principio di incessante e sapiente vita”. Proposta per una rilettura live electronics dell’Anima Mundi platonica.
16.00 – 17.30 Video-listening room* & Poster session**
17.30 Electroacoustic concert (coordinator Nicola Buso, Conservatory of Trieste)
music by:
Benjamin O’Brien Densité
Antonio D’Amato Prismes électriques – hommage à Sonia Delaunay
Christian Marchi Elaborazione del canto di un uccello
Nicola Monopoli Juicy Joyce – Subvocalizing (at pre-speech level)
Tommaso Muto Attraversamenti
Antonio Scarcia Elegia seriale
Jerod Sommerfeldt Kernel_panic
Auditorium Casa della Musica
20.30 Interactive performances (coordinator Pietro Polotti, Conservatory of Trieste)
by:
Carlo Marzaroli, Francesco Garbo, Federico Mullner, Marco Godeas Gestual Interpolation Patch
Alessandro Fogar, Francesca Bergamasco Hyle
Marcella Mandanici Score 1. per Disembodied voices
Miha Ciglar M.I.S.T.
Dario Sanfilippo LIES (distance/incidence) 1.0
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24/11/2012
Aula Magna Conservatorio “G. Tartini”
Oral presentations
Paper session 7 (chair Domenico Sciajno, Conservatory of Trapani)
10.00 Marcella Mandanici. La micropolifonia ligetiana come modello di composizione algoritmica.
10.25 Giacomo Albert. Multimodalità e Immersione: verso una rilettura del Minimalismo attraverso la storia delle installazioni sonore.
10.50 Giorgio Klauer. Analisi paradigmatica di composizioni acusmatiche e music information retrieval: un primo approccio.
11.15 Coffee break
Paper session 8 (chair Gualtiero Volpe, University of Genoa)
11.45 Andrea Arcella, Stefano Silvestri. Analogique B – A computer model of the compositional process.
12.10 Andrea Agostini, Daniele Ghisi. Bach: una libreria per la composizione assistita in Max.
12.35 Simone Spagnol. Are spectral elevation cues in head-related transfer functions distance-independent?
13.00 Lunch break
13.00 – 14.45 Video-listening room* & Poster session**
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Afternoon
Paper session 9 (chair Stefano Delle Monache, University IUAV of Venice)
15.10 Dimitrios Margounakis, Dionysios Politis. Revealing the hidden motives of chromaticism in music through computational semantic visualizations.
15. 35 Dimitrios Margounakis, Dionysios Politis. Exploring the relations between chromaticism, familiarity, scales and emotional responses in music.
Auditorium Casa della Musica
20.00 Audiovisual concert (coordinator Paolo Pachini, Conservatory of Trieste)
audiovisual works by:
Ivan Penov Edgeless
Alessandro Perini, Fabio Monni Secret Lives
Fabrizio Fiore Hi.La
Luca De Siena, Antonello Belgrano Concrezione
Jerod Sommerfeldt Linear
Richard Nelmes, Diego Garro Visitation Adagio
Tiziano Bole Lontano giace il mondo
Maurizio Goina, Sarah Taylor Passo a sei
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** Poster sessions (coordinator Carlo Drioli, University of Udine)
- Simone Spagnol, Davide Rocchesso, Michele Geronazzo, Federico Avanzini. Model-based customized binaural reproduction through headphones.
- Alessandro Fiorin Damiani, Filippo Gecele, Alessandro De Nardi, Paolo Boscariol, Chiara Olcese, Luca Lorenzo Ferro, Filippo Genesini, Federico Petrei. Siloë.
- Gianluca Dario, Riccardo Mazzetti, Lorenzo Jacopo Sciuca, Federico Fontana. EGLO – Un’applicazione per la sonificazione interattiva di tavoli di gioco per bambini.
- Andrea Valle. A sound programming strategy to survive to a complex multimedia setup.
- Daniele Salvati, Sergio Canazza. Cepstrum analysis and blind system identification for localization of pseudo-periodic sounds.
- Alessandro Fogar, Elio Corbolante. h.
- Massimo Grassi, Guillaume Lemaitre, Davide Rocchesso. Cinquant’anni di dislocazione temporale acustica.
- Elio Toppano, Roberto Ranon. Sincresi audio-visiva: una esperienza didattica.
- Dario Sanfilippo. LIES (distance/incidence) 1.0: a human-machine interaction performance.
- Carlo Drioli, Claudio Allocchio. LOLA: a low latency high quality a/v streaming system for networked performances and interaction.
- Leonardo Gabrielli, Stefano Squartini, Francesco Piazza. Towards a portable wireless platform for networked performance.