Proceedings XV CIM 2005, Salerno, November 24-26
Papers
Goffredo Haus, Alberto Pinto
MX STRUCTURAL METADATA AS MIR TOOLS
Alexandros Kontogeorgakopoulos, Claude Cadoz
DIGITAL AUDIO EFFECTS AND PHYSICAL MODELING
Amalia de Götzen, Davide Rocchesso
AUDIO FEEDBACK IN PREDICTIVE HCI METHODS
Antonio De Sena and Davide Rocchesso
A STUDY ON USING THE MELLIN TRANSFORM FOR VOWEL RECOGNITION
Athanasios Hapipis and Eduardo Reck Miranda
ARTIFICIAL SINGING WITH A WEBCAM MOUTH-CONTROLLER
Camilo Rueda, Frank Valencia
A TEMPORAL CONCURRENT CONSTRAINT CALCULUS AS AN AUDIO PROCESSING FRAMEWORK
Charles Bascou and Laurent Pottier
GMU, A FLEXIBLE GRANULAR SYNTHESIS ENVIRONMENT IN MAX/MSP
Daniela Voto, Manuel Viñas Limonchi, Umberto D'Auria.
MULTISENSORY INTERACTIVE INSTALLATION
Eduardo Reck Miranda and Bram Boskamp
STEERING GENERATIVE RULES WITH THE EEG: AN APPROACH TO BRAIN-COMPUTER MUSIC INTERFACING
Elaine Chew, Alexander Sawchuk, Carley Tanoue, Roger Zimmermann
SEGMENTAL TEMPO ANALYSIS OF PERFORMANCES IN USER-CENTERED EXPERIMENTS IN THE DISTRIBUTED IMMERSIVE PERFORMANCE PROJECT
Peter Reichl, Florian Hammer, Marena Balinova
CONVERSATIONAL INTERACTIVITY IN SLOW-MOTION: A COMPARISON OF PHONE DIALOGUES AND OPERA SCENES
Francesca Nucibella, Savino Porcelluzzi, Laura Zattra
COMPUTER MUSIC ANALYSIS VIA A MULTIDISCIPLINARY APPROACH
Georg Essl
MATHEMATICAL STRUCTURE AND SOUND SYNTHESIS
Shlomo Dubnov, Gerard Assayag
Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience
Goffredo Haus, Giancarlo Vercellesi
STATE OF THE ART AND NEW RESULTS IN DIRECT MANIPULATION OF MPEG AUDIO CODES
Antonio Camurri, Corrado Canepa, Carlo Drioli, Alberto Massari, Barbara Mazzarino, Gulatiero Volpe
MULTIMODAL AND CROSS-MODAL PROCESSING IN INTERACTIVE SYSTEMS BASED ON TANGIBLE ACOUSTIC INTERFACES
Anastasia Georgaki, Ioannis Zannos, Nikolaos Valsmakis
PHONODEON: CONTROLLING SYNTHETIC VOICES VIA MIDI-ACCORDEON
Jehan-Julien Filatriau, Daniel Arfib
INSTRUMENTAL GESTURES AND SONIC TEXTURES
Andrea Valente, Kirstin Lyon, Kristoffer Jensen
AUGMENTING C-CARDS WITH MUSIC ACTIONS
Laura Zattra
ANALYSIS AND ANALYSES OF ELECTROACOUSTIC MUSIC*
Diego Fenza, Luca Mion, Sergio Canazza, Antonio Rodà
PHYSICAL MOVEMENT AND MUSICAL GESTURES: A MULTILEVEL MAPPING STRATEGY
Marcelo Gimenes, Eduardo Reck Miranda, Chris Johnson
ON THE LEARNING STAGES OF AN INTELLIGENT RHYTHMIC GENERATOR
Mikael Laurson, Mika Kuuskankare, Kimmo Kuitunen
INTRODUCTION TO COMPUTER-ASSITED MUSIC ANALYSIS IN PWGL
Homei Miyashita, Kazushi Nishimoto
What is the Essence of "Music?" A Case Study on a Japanese Audience
Nicola Bernardini, Alvise Vidolin
SUSTAINABLE LIVE ELECTRO-ACOUSTIC MUSIC
Nikolas Valsamakis, Eduardo Reck Miranda
EXTENDED WAVEFORM SEGMENT SYNTHESIS, A NONSTANDARD SYNTHESIS MODEL FOR MICROSOUND COMPOSITION
Olivier Lartillot
EFFICIENT EXTRACTION OF CLOSED MOTIVIC PATTERNS IN MULTI-DIMENSIONAL SYMBOLIC REPRESENTATIONS OF MUSIC
Patricio da Silva, Adolfo Maia Jr.
MUSIC TRANSFORMATION IN CELLULAR SPACES TRIGGERED BY WALSH FUNCTIONS
E. De Lauro, S. De Martino, M. Falanga, G. Sarno
CONSTRAINS ON THE MODEL FOR SELF-SUSTAINED SOUNDS GENERATED BY ORGAN PIPE INFERRED BY INDEPENDENT COMPONENT ANALYSIS
Gianpaolo Evangelista, Sergio Cavaliere
EVENT SYNCHRONOUS MUSIC THUMBNAILS: EXPERIMENTS
Sossio Vergara
A SYNTHESIZER BASED ON SQUARE WAVES
Stefania Serafin, Amalia De Gotzen
THE CROAKER: DESIGN AND EVALUATION OF A NEW MULTIMODAL INTERFACE
